Announcing the Aesthetica Shorts 2011 DVD Release

The December/January issue of Aesthetica is out next week, on the 1st December and we’ve got a fantastic treat in store for you! The winter issue includes a FREE DVD of short films!




The Aesthetica Shorts 2011 DVD showcases the 13 selected finalists from the Aesthetica Short Film Competition 2010 and is a fantastic insight into short film today. We received almost 1000 entries for the competition, from over 30 countries worldwide and, whilst many of the entries were exceptional, these films were selected for the quality of their cinematography, their scope and ambition, creative vision and the skill of their storytelling.

Each film is very different from the others but they are united in their quality and the programme is a true celebration of international short film and creative talent. We hope you enjoy watching them!

The winning film is Unearthing the Pen from British director, Carol Salter. This film poignantly tells the story of a young Ugandan boy’s desperate desire for an education in the face of seemingly insurmountable odds: forty years ago, tribal elders buried a pen, placing a curse on the written word. The film is beautifully shot and Carol is a talented director, working as a one-woman team to document highly personal stories from around the world. For information on her current projects visit www.rocksaltfilms.com.

The other films on the DVD are listed below:

The Shadow Effect (USA) – the Varava Brothers
Exhale (UK) – Remi Weekes
The Laundromat (Australia) – Timothy Melville
Un Certain Dimanche (France) – Tatiana Margaux Bonhomme
Missed (UK) – Guy Ducker
Mother (UK) - Shaun Hughes
Foto (UK) – Tom Canning
Kärlaeksbarn (Sweden) – Daniel Wirtberg
Her Mother’s Daughters (Ireland) – Oonagh Kearney
Hazed (Canada) – Matt Hammill
I Want to Spend the Rest of my Life with You (Spain) – Manuela Moreno
Losers: Flush (UK) – Tom Werber

Issue 38 will be available from the 1st December on our website and at WH Smiths, galleries and select stockists around the world. Please visit www.aestheticamagazine.com/stockists to find your nearest stockist.




The Aesthetica Short Film Competition 2011 is now open for entries. For more information and to submit your film please visit www.aestheticamagazine.com/shortfilm.

A Weekend of Art and Culture with Crunch: the Art and Music Festival at Hay

This Friday will see the majority of the London art scene decamp to Wales; to the small, picturesque town of Hay, situated on the edge of the Black Mountains next to the River Wye. Every year a glut of artists, critics, collectors, philosophers, novelists, politicians and scientists descend on this “town of books” for Crunch: the Art and Music Festival at Hay, coming together to ask the big question: what’s the point of art?




Kicking off on the Friday evening with a magical lantern procession from Hay’s Market Square to the globe field, the first night is a frenzy of live music, dancing, wild costumes, sky-high fire sculpture and trapeze artists. The rest of the weekend is a whirlwind of talks, debates, parties and art, with Hay playing host to a legion of big names from the art world. Speakers include leading rights advocate, Bianca Jagger, Serpentine Director Julia Peyton-Jones, Turner Prize-winning artist Martin Creed, ICA Director Ekow Eshun and BBC Arts Editor Will Gompertz and many many more. In addition to this comprehensive series of events are performances from Laura Marling, Lulu & the Lampshades and Man Like Me amongst others.

In the globe field, you’ll find the Tate Great British Art Debate Tent with a cabaret mix of talks, music and desert island art and outside pyrotechnic excitement with globe on fire. And this year, for the first time, Crunch is holding the Crunch Art Fair, showing and selling work by some of the UK’s leading artistic talent and galleries. A cultural highlight of the festival, the Crunch Art Fair combines leading galleries with the programme of talks and debates. Giving festival-goers the opportunity to look at – and buy- works of art, the new space directly below the globe field plays host to a series of containers, each dedicated to a different gallery platforming the work of multiple artists. In addition, work will be exhibited in the Upper and Lower Galleries of the globe at hay.




The exhibiting galleries will be showing pieces by both established and cutting-edge artists. With works spanning the media of sculpture, video art, painting and photography, the Crunch Art Fair offers visitors an opportunity to discover new developments in contemporary art and experience artworks in a relaxed and beautiful setting. Work will include new video art from Squid & Tabernacle, being shown in the UK for the first time, contemporary painting inspired by the Old Masters courtesy of the Cynthia Corbett Gallery, video painting from Open Gallery including work from the winners of the Open Prize, and mid-career and celebrated emerging work from the Alexia Goethe Gallery. The Museum of Everything- whose Exhibition #1 became the most successful exhibition of self-taught, marginal and non-traditional art ever to be staged in Great Britain- will be showing Exhibition #2 in the globe at hay.

Engaging, irreverent and challenging, the weekend promises to deliver an unforgettable festival atmosphere amidst the bleakness of winter.

For more information, see www.artfestivalathay.org.

Re-visualising the cinematic: Angela Bulloch at Simon Lee Gallery

Angela Bulloch’s (b. 1966) Discrete Manifold Whatsoever opened early this autumn in London at Simon Lee Gallery, marking her first solo exhibition in the UK since 2005.

Angela Bulloch’s installations respond to the presence of the viewer and in doing so create a kind of separate world within the exhibition space. By encouraging physical interaction with the pieces, Bulloch effectively presents the viewer with a blank rule book (interestingly, Bulloch made a book Rule Book in 2010 which is comprised of an ongoing collection of rules that have been broken, subverted and altered). In this way, Bulloch allows the viewer to experience the notion that repeats itself throughout the body of her work; how background shapes who we are and how we experience the world.

This exhibition showcases an entirely new body of work that develops and de-constructs the “pixel box” sculptures that have become her signature. For two decades this modular, infinitely programmable light box with a wooden case and opaque plastic screen has been one of her primary media. At once sculptural units and carriers and transmitters of data, these boxes have until now remained consistent in form. From one work to the next they zoomed on the digital image and re-visualised the cinematic.

For this exhibition Bulloch turns her attention to the forms of the boxes themselves. In one work, consisting of a group of four such boxes fabricated in copper, the hard metallic sheen of the units clearly asserts their relation to Donald Judd and the modular language of minimalism. Mondrian Corian Pixel (Blue) is caught in a different kind of grid and hangs, suspended, abject, straps and wires trapping it and rupturing the purity of its form. Elsewhere boxes with solid faces are pierced so their light spills out and throws shifting patterns upon wall and floor. The configuration of their holes makes yet another reference to Bridget Riley’s White Discs (1964).

Alongside this re-imagined pixel box sculptures Bulloch will show wall pieces which suggest their conceptual concomitant, their texts elaborating and expanding the exhibition’s title, along with interactive spotlight installations. Pushing against the mill-stone of traditional gallery regulations this is a show not to be missed.

Continues until 27 November. www.simonleegallery.com

Image Courtesy Simon Lee Gallery, London.