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Wednesday, 14 April 2010

Voy A Explotar (I’m Gonna Explode) out on DVD this Week

I am a sucker for Indie films, especially the ones with an overarching artistic licence. I like films that are shot with integrity using every inch of light and space for effect – films that assume the audience can think, ones in which the director gives us a bit of freedom to explore and develop our own interpretations.



Gerardo Naranjo’s Voy A Explotar (I’m Gonna Explode) is a sensational film, one that sees the darker narratives of two teenagers in love. One thing’s for sure, cinema is not lacking in abject teenagers in lover, it’s a story that’s been told many times, but Naranjo turns it on its head by introducing two characters that are rebelling but their not sure why or what from. Roman and Maru both sit on the periphery of society. Come on you remember what it was like to be a teenager. Every moment seems to count, each encounter means something, and days are weeks and weeks are months.



Roman and Maru meet at school; there is an instant attraction. Roman is the son of a corrupt right-wing politician. They embody youth in rebellion, they decide to run away and revolt against everyone that they know in the search for their freedom. Exploring their sexuality, an intimate bond is formed between the pair; they begin to believe they are invincible. Further plans are hatched, and they become the Mexican version of Bonnie & Clyde.




The dialogue is lyrical; there are moments, which are somewhat like a chorus as Maru is searching for meaning and control. Roman is fearless – however lost – there’s a lack of focus and both of them ooze with apathy. Mostly they just want to feel something, anything. As they spend their time in hiding, their parents and the police begin searching for them. It’s going to erupt, but how? In the real world actions have consequences.

This film has screened at a number of festivals: Venice, Toronto, Chicago, Stockholm, Istanbul, Edinburgh and the AFI Latin American Film Festival. It’s an exciting mix of intense desire and absolute confusion.

Voy A Explotar was released on DVD 12 April. For further information on Gerardo Naranjo read an interview with Time Out London.

Tuesday, 13 April 2010

A Journey To Northern Ireland

It’s amazing what a holiday can do for you. Now, I’m a person that likes the off-the-beaten path type of break. I’m fond of going to new places preferably without hoards of tourists. I like to take my time, soak up the environment.



Visiting Giant’s Causeway has always been on my list of things to do. I know that 500,000 people visit each year, so there are a lot of people, but needless to say, it wasn’t overrun when I went. A few things: Firstly, I love the outdoors (people often find that hard to believe, which is a little peculiar) and I love hiking. I also enjoy being near the sea; the place where the land ends and the water begins. I love to look out at all that space. I want a boat, like you wouldn’t believe.

So, I thought that it would be a great idea this year to jump in the car head to Liverpool and take a trip over to Northern Ireland. I’ve been to the Republic before, but never to the North, so I figured it was about time. Before, I begin to discuss my experience; I must admit how sad I was to see the bomb go off in Hollywood yesterday by the Real IRA. I have been recommending to all my friends that Northern Ireland is worth the visit – and in spite of the news, I still feel that way. Every single person that I met in Northern Ireland was really friendly and pushing for peace. So, when I heard the news yesterday, I thought about all those lovely people that I met, and how disappointed they must be.



Anyway, after arriving in Belfast, I went on a tour of the City with Allens Tours. We went into the Falls Road area and the Shankill Road, and saw the peace wall in between. I found it unbelievable that I was walking around a city that had at one point been one of the most dangerous places in Europe. The one thing “they say” we shouldn’t discuss is religion and politics – well it’s there in plain view staring you in the face. I found the murals incredibly intriguing, and after the tour, I wandered around to have a closer look. From an artistic and social perspective the work was so angry. I found the stories overwhelmingly sad – it doesn’t matter which side of the wall that you’re on – innocent people died and that’s that, as far as I’m concerned. The murals are in your face – they are full of symbols and meaning, at times words that are filled with rage. I found the walk around these areas of Belfast, one of the most interesting I’ve ever been on in my life. I was also intrigued to learn about the Titanic, and saw some archived footage in the Town Hall Digital Film Archive.



From Belfast I headed up to Ballycastle and over to the tiny village of Ballintoy, where I rented a fantastic apartment with stunning views, and its pretty little harbour. The flat was cosy and just perfect. The landscape is amazing from the rugged coast, rolling hills and to the dramatic Glens of Antrim. I was so happy to finally visit the awe-inspiring Giant’s Causeway, and the Rope Bridge of Carrick-a-Rede. One day I visited Bushmills Distillery, which was granted its licence in 1608. I can definitely appreciate the art of making whiskey, and even tried a 12-year-old sample!



One of my favourite visits was Rathin Island. This is a little island 20 minutes off the coast. There are 100 people who live there. On the ferry, I read the Rathin Island news; it was two sides of an A4 sheet of paper with all the comings and goings of the island. It was £12 per year for a subscription. Honestly, I might take it up. I loved it. The island is a major sanctuary for birds, although not a bird watcher – it was a pretty remarkable site. The best part of this island was the shuttle bus driver, Liam King. Now remember, there’s only 100 people who live on the island, and not that many visitors, so there’s no need for a timetable.

We caught the shuttle bus (3 other people on it) over to the bird sanctuary, but along the way, the bus was running low on fuel. Liam began the reverse down a hill (single track road), and then we ended up at his house, where he said he need to swap buses. In the meantime, he wanted to “fire-up” the other bus and then he began to reverse out of his driveway. Oh dear, parked next to the bus was his little blue car; he began to drag it along sideswiping it with the shuttle bus, denting the doors and breaking the wing mirrors. We all had to hold our laughter in – mind you, not laughing at Liam, but I’ve never seen anyone cause such damage to their own car. So, Liam then asked everyone (all 5 of us) to get on the next shuttle bus, everyone walked with their heads down because he still hadn’t noticed. So, I said to him, “Umm…I think you may have scraped, perhaps slightly damaged your car.” He took one look at it, shrugged and said, “ah the joys of driving.” Now, if I could only adopt that philosophy in life, I swear the next time something goes slightly pear-shaped, I will always think of Liam King. He really wasn’t bothered at all. Talk about pulling on my heartstrings. Later on that day, he gave us a lift to this lovely bay where there were some seals hanging out. Seeing them in the wild, in their own habitat is amazing.



On my final day, I visited Londonderry/Derry. Even the name of this city is contentious. It depends on where you are – in the Republic it’s called Derry and in Northern Ireland it’s called Londonderry. Sometimes people call it “Stroke”. There’s a lot of history there – lots of baggage too. I was surprised to find out that Londonderry/Derry is a walled city, in fact the only complete walked city in the UK! I did not know that. However, throughout the "Troubles" it has had a turbulent 30 – 40 years. This is the place where the tragedy of Bloody Sunday occurred in January 1972. I had a walk around the Bogside area, and again, all these murals on the gable walls – they’re really in your face, although, I found them slightly different than the murals in Belfast. My city guide was Martin McCrossan.



Martin was delightful – full of knowledge and started out talking about the immigration to America. Now, I’m from New York and like most people from New York, my family were immigrants and on my mother’s side from Ireland. So, it was nice to start learning about Londonderry/Derry from this point in history. Martin said: “The people thought the streets were paved with gold, but not only were they not paved with gold, they weren’t paved at all, and they (the Irish) were expected to pave them.” Martin’s tour was well rounded, and essentially he spoke about the troubles and ultimately about peace. At the end, he pointed to the Tower Hotel, and said what a monument it was to have a new hotel built, that it might not mean much to us, but for him it was a sign of the future. He thanked us for visiting his city, and said it gives people confidence in their own city to see visitors. He was sincere when he said this, and it was really an interesting experience. I’ve never had anyone thank me for visiting their city. Usually as a tourist people are selling you t-shirts, hats, key rings and moulded plastic of the Statue of Liberty or Big Ben. I really enjoyed his tour, and recommend it.



So, all in all, why am I telling you about my jaunt to Northern Ireland? Well, the reason is because I had a wonderful time. The countryside is gorgeous, the people are friendly, and most of all the recent history is interesting. Growing up in New York in the 1980s and 1990s, I knew about what was going on, everyone did, but I don’t think we really understood it, and to visit this place that was discussed so often in my childhood, I feel like I’ve learned something. I’ve even thought of doing a book on the Art of Conflict or something like that – watch this space.

If you do ever visit, drop me a line, I'd love to hear about your trip.

www.discovernorthernireland.com

P.S. I'm not working for the NI tourisim board anything like that, I just loved the place so much!

Thursday, 8 April 2010

Glasgow International Festival of Visual Art opens this April

I am a huge fan of the City of Glasgow. It's so vibrant. It has feeling of innovation running thought it, something that I can connect with. I've been a few times for the Glasgow Art Fair, and every time, I've just embraced the city more and more.With its history and culture, there's so much to see and do - from GOMA to the CCA. So I was delighted to find out that the Glasgow International Festival of Visual Art opens in just over a week. Glasgow's vibrant art scene takes over the city as its museums, galleries, and many other spaces showcase the work of both Glasgow-based and international artists in a vast array of exhibitions and events, celebrating the very best in contemporary visual art.

Over 50 artists are presenting sculpture, drawings, installations, films, videos, sound works, performances and music in venues ranging from the city's renowned Kelvingrove Art Gallery and Museum - taking part in this growing event for the first time - through the Hunterian Art Gallery and Tramway to diverse artist-run collectives, small galleries and temporary sites. Under the direction of Katrina Brown and with many projects revolving around the theme of 'past, present, future', Glasgow International Festival of Visual Art opens on 16 April 2010 for two weeks.



Using ceramics, bronze and a little taxidermy, Glasgow-based David Shrigley creates a collection of intriguing sculptures and objects for museum cases at Kelvingrove Art Gallery and Museum; Glasgow-born Susan Philipsz' specially-commissioned and highly evocative sound work Lowlands resonates from bridges that span the River Clyde. One of the most acclaimed artists to have emerged from the city, Douglas Gordon opens the Festival with a new video installation in Tramway's celebrated theatre space citing his own landmark work 24 Hour Psycho.

Renowned environmental arts organisation NVA (featured long-ago in issue 16 of Aesthetica) re-enact the infamous White Bike Plan, a Dutch anarchist eco-action of the 1960s, by releasing fifty white bikes on to the city's streets for free use between Festival venues, whilst Kate Davis and Faith Wilding collaborate on an exhibition exploring feminist legacies in contemporary art at the Centre for Contemporary Arts(CCA).



A number of international artists are also at the heart of the programme: a significant selection of important works on paper by the enduringly influential Joseph Beuys along with a group of 'vitrine'sculptures, including the legendary 'Fat Chair' and the iconic portrait of Beuys by Andy Warhol on display at the Hunterian Art Gallery as part of ARTIST ROOMS on Tour; renowned Swiss artist Christoph Büchel, known for his massive-scale, hyper-real experiential works takes on the imposing space at Tramway with the creation of an extra-ordinary, provocative and complex installation. Tramway's other spaces present a striking programme of experimental film, video installation and live performance by Leslie Thornton, Graham Eatough and Keren Cytter.



David Maljkovic (Croatia) - one of the most exciting artists to emerge from Europe in recent years - has his first solo show in the UK in a striking space in the Merchant City, made available for the Festival. Maljkovic's work reflects on the Festival's themes with a gathering of recent works in film and collage that explore the legacy of Modernist monuments and abstraction; while in an adjacent space Gerard Byrne, who represented Ireland to great acclaim at the Venice Biennale 2007,presents a major new video installation commissioned by the Festival that re-visits the history of Minimal Art and its reception. Internationally-acclaimed artist Fiona Tan shows her mesmerising video installation Tomorrow at the Gallery of Modern Art.



The redoubtable punk artist-designer Linder exhibits her montage images at Sorcha Dallas Gallery and presents a unique thirteen-hour performance in collaboration with celebrated fashion designer Richard Nicoll and musician Stuart McCallum; and Alice Channer, who is attracting increasing attention for her fabric-based works, takes on the architecture of the Mackintosh Gallery in her first work in Scotland at The Glasgow School of Art. Washington Garcia presents the work of Australian artist David Noonan at the Mitchell Library, while the legendary Jimmie Durham shows Universal Miniature Golf(The Promised Land) - the outcome of a Production Residency at Glasgow Sculpture Studios. Claire Barclay shows a range of new works using diverse techniques at Glasgow Print Studio; and The Modern Institute opens its new premises on Osbourne Street with a show by Glasgow's own Jim Lambie.

Open Glasgow is a new initiative, supported by the Scottish Arts Council, revealing imaginative new projects conceived by artists specifically for the city during the Festival, including Le Drapeau Noir, a nightly performance in a pop-up café-bar; a one-night cabaret - Urlibido- in the magnificent Sloans Grand Ballroom, and a day long event sim-po-zium event at the Mitchell Library.

Other galleries, venues and artists' collectives involved in the Festival include Transmission Gallery, Lowsalt, market Gallery, Mary Mary, FINN collective, and SWG3 and many more groups and individual artists.

To download a programme and for further information visit www.glasgowinternational.org. The festival opens on 16 April and continues until 3 May.

Images:

1. (c) David Shrigley Jugs and Cups (2008)
2. (c) Kate Davis and Faith Wilding What have we got to do with
3. (c) David Maljkovic, Out of Projection (2009)2 channel HD video installation.Duration: 18'41'' min. Courtesy Annet Gelink Gallery Amsterdam
4. (c) Linder Elsium ii (2006)

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