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Tuesday, 2 March 2010

Liverpool's Hidden Icons - Secrets of the Built Environment

The built environment is ubiquitous – we cannot escape the structures that define us. This milieu has altered greatly over the past 50 years. The concrete jungle is being replaced by smart, functional designs – there’s even a roof top garden in our building. So, I was delighted to find out about Stephen King’s first solo show – A Storey of Photography. The show reveals secrets and hidden iconic design of city store. It follows the announcement this week that the store is set to close in June for redevelopment. In a poignant turn of events, a contemporary fine art photography exhibition, Lewis’s Fifth Floor: A Department Storey opened 26 February and runs until 30 August 2010 documenting the current state of the store’s fifth floor of this Liverpool institution.




The first solo exhibition by Liverpool photographer Stephen King reflects his visits to the store’s ‘lost’ fifth floor, closed to the public for the last three decades. Its world of 1950s design has remained hidden since it was closed to the public in the early 1980s, being used as a storage floor ever since. King’s photographs record two aspects of the fifth floor, providing a rare glimpse of the spaces which originally comprised three restaurants and what was at one time the world’s largest hair salon, while also revealing the faces of 40 current and ex-employees.

National Museums Liverpool curator Nicky Lewis commented: “Lewis’s is a household name in the city, and we hope this will be a popular exhibition with local visitors who wish to re-capture memories of the store and a bygone age, particularly in light of its impending closure. “The exhibition will also be enjoyed by people who have a passion for history, interior decoration, photography and design. Stephen’s photography captures perfectly the unique aspects of the fifth floor, including specially commissioned artwork that put it at the forefront of interior design in its day. His portrait work with Lewis’s staff puts life back into the now deserted floor.”



Included in the exhibition are images of the cafeteria which once seated 600 people, with its Grade II listed unique hand-painted ceramic tile work still standing the test of time. Created by Carter’s of Poole, the 65 metre long mural is inspired by a mural at the 1951 Festival of Britain which celebrated the best of British design. The Lewis’s mural features condiments, utensils, vegetables and cutlery.

Other features typical of 1950s style were designed to inject vibrancy into the post-war years that saw Liverpool’s population, along with the rest of the UK, emerging from destruction and deprivation. The fifth floor flaunted bright colours and light.

Stephen King commented: “The fifth floor is a great place for photography. However, the randomness that 30 years storage brought to the stylish 1950s and 70s interiors needed making sense of in some way. It became obvious that it was necessary to involve the people who had worked in these spaces to breathe life to the fifth floor once again with integrity. What started out as a purely documentary project now incorporated the new dimension of 40 portraits with ex-employees photographed in their original place of work. I tried to create a series of images that correctly translated both the glamorous and eerie atmospheres that make the fifth floor the strange place it is.”

Lewis’s Fifth Floor: A Department Storey is part of a wider project developed by Neutral Spoon, who also commissioned local artist Jacqueline Passmore to produce a film for the exhibition. Capturing the ghostly abandonment of the fifth floor through the use of old-fashioned cine-film footage of the floor as it is today, the film is overlaid with the voices of the participants recapturing their memories taken from hours of filmed interviews.

The exhibition reminds Merseysiders of their own stories of Lewis’s, but provides all viewers with a unique insight into the history of shopping culture. Stephen’s sympathetic approach to capturing his subjects not only immerses the visitor in the eerie emptiness of the floor but also evokes a feeling of joyful nostalgia and a longing for a time that once was.

National Conservation Centre Whitechapel, Liverpool
www.liverpoolmuseums.org.uk/conservation

A Storey of Photography
Lewis Department Store, Liverpool
Until 30 August 2010

Images (c) Stephen King

Monday, 1 March 2010

10th Annual Chutzpah! Festival in Vancouver

As Aesthetica is making international ties from Australia, New Zealand and Japan through to the USA and Canada, I wanted to bring you details about one of the most exciting performing arts festivals in Canada.

Chutzpah! opening later this week in Vancouver runs from 4 March until 8 April, and promises to captivate audiences with a stunning repertoire of dance, music and theatre with a special pre-festival presentation of the Vancouver based dance troupe, Move: the company’s Legacy Repertory Project. This year, to celebrate the Festival’s 10th anniversary, Artistic and Managing Director Mary-Louise Albert has programmed a particularly exciting and eclectic selection of gifted artists from around the world and here in Canada.


Mary-Louise Albert commented: “This is a very special year for the Chutzpah! Festival. I’m so proud of how much the Festival has grown and matured over the past 10 years. The high calibre of music, dance, theatre and comedic artists that Chutzpah! is now able to present, offers Vancouver audiences a very diverse and dynamic experience. I’m particularly excited that we will be celebrating the Festival during the Olympic period as this also offers us the opportunity to show off Chutzpah! to the international stage”.

Kicking off the Festival is The Idan Raichel Project, who burst onto Israel’s music scene in 2002, changing the face of Israeli popular music and offering a message of love and tolerance. With an enchanting blend of African, Latin American, Caribbean and Middle Eastern sounds coupled with sophisticated production techniques and a spectacular live show, the Idan Raichel Project has become one of the most unexpected success stories in Israeli music history, regularly selling out shows worldwide.



For dance enthusiasts, Aszure Barton & Artists return to Chutzpah! with her full company of 9 dancers for a breathtaking and explosive repertoire show. The company will be presenting two works: Busk (2009) retains Aszure Barton's signature style of precise whole-body expression. Original, evocative music by Russian violist and composer Lev Ljova Zhurbin, along with a powerful selection of world sound (including choir music from Sweden's Orphei Drangar), enhance this dynamic piece. Blue Soup (2009) is a bubbling mosaic drawn from Aszure Barton's notable past creations. Dynamic, physical action and emotional honesty propelled by a score of global sound build a powerful, pulsating environment. “Full of surprise and humor, emotion and pain, expressed through a dance vocabulary that takes ballet technique and dismantles it to near-invisibility.” - The New York Times. Gallim Dance from New York with special guest Sidra Bell Dance New York will also enthral audiences. The work Gallim Dance will be presenting, I Can See Myself In Your Pupil, is a suite of dances set to the vibrant music of the Israeli band, Balkan Beat Box.

Theatre go-ers will enjoy a special treat with three great plays. Odysseus Chaoticis by Israel’s Ish Theater is a fantastic cabaret show based on the travels of Odysseus, King of Ithaca. Parts of the mythological Odyssey are intertwined into a story of an eccentric Italian family; a romantic-dreamer husband, his uptight dominating, but loving wife, a needy old Papa and their noisy newborn baby all packed like sardines in their small home. The day-dreaming husband escapes his mundane routine and takes an imaginative journey inspired by Homer’s Odyssey – this is one of the most entertaining hours you will ever spend in the theatre! “An amazing balance between sharp directing and the brilliant improvisational skills of the three clowns, each one of them bursting with talent” - M.Zur-Glozman, Ma'ariv Online.

Also the world premiere of Donald and Lenore - a wild and seductive play about survival set in an underground Tahitian Lounge by internationally renowned Vancouver based playwright Tom Cone, directed by David Bloom and starring Linda Quibel and Billy Marchenski.

With its interdisciplinary nature, Chutzpah! 2010 offers an insightful programme and vast range of performances.

To download a programme, purchase tickets or for further information visit www.chutzpahfestival.com

Images (c) the artists.

Photo 1: Steven Schreiber
Photo 2: David Lee

Friday, 26 February 2010

Win a pair of tickets to see Father of My Children - Winner of Cannes' Un Certain Regard

In the spirit of keeping our eyes peeled for what's happening in the arts world, we've just organised a fantastic prize for one lucky reader! As you know, if you read this blog regularly, I see the arts as interdisciplinary, flitting between the gallery, cinema and theatre. I have a serious commitment to film, and so, I was delighted to find out the one of Cannes' prize winning films (Un Certain Regard), Father of My Children would be opening nationwide from 5th March.



To celebrate the March 5th release of Le père de mes enfants/Father of my Children - We have a pair of tickets available to attend a Q&A screening on 3rd March with Director, Mia Hansen-Love.

The preview screening for the gentle drama, Father of my Children, will be held at the Cine Lumiere, London. The event will begin with a champagne reception at 7:30pm and will then be followed by the film’s screening at 8:30pm. After the screening the guests and winners will be invited to stay for an opportunity to put their questions about Father of My Children to the film’s director Mia Hansen-Love.

Father of My Children concentrates on Grégoire (de Lencquesaing) a happily married father of three and an independent film producer who somehow manages to juggle the never-ending demands of his company with his domestic responsibilities. Glued to his mobile and chain-smoking his way through meetings and crises, he maintains his sense of humour despite the incessant demands of his work. In addition to massaging artistic egos and keeping one step ahead of his bank, he reluctantly joins the family on an Italian holiday, but on his return, Grégoire finds he can no longer maintain any sane work/life balance. Wonderfully reminiscent of Truffaut’s Day for Night in it’s evocation of the world of European cinema.

For your chance to win just answer the following question:
What is the name of the director and film, who's featured in the current issue of Aesthetica Magazine?

Please send your answers to Alexis Smith at office@aestheticamagazine.com with Father of My Children marked in the subject line. Please send by 12pm, Tuesday 2 March. All correct entries will be added to prize draw and the winner selected at random.

Good luck!

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