We've moved


The Aesthetica Blog has moved:


Thursday, 10 December 2009

The Changing Attitude of Street Art

Since Banksy, Street Art has been all-the-rage with Shepherd Fairy and Space Invader also reaching mass audiences, and all-the-while the public's attitude towards street art and graffiti is changing, it's not seen so much anymore, as underground. I suppose it has now entered the mainstream art market, as a viable genre and profitable form, creating a hint of irony. But then, we all start from somewhere, and a rise up, doesn't always mean an altercation in principals. I hate the term "sell out" - what exactly does that mean anyway?



Intrigued, I decided to have a chat with James Towning from Art for Kunst about the project, future plans and that merger of art and business.

What’s the idea behind Art for Kunst?
To create high quality, collectible, functional and afford art products in conjunction with top street artists.

What inspired you to start the project?
I run a design agency a design agency called overthrow|uk and we have often spoken about creating a product that combines our design and marketing skill, love of art and contacts. We do a lot of work for, and have made friends with, artists, curators and galleries. As a result I have seen lots of art in my day to day, both going to exhibitions and from using their images in design work. I really enjoyed, and would love to have owned, a lot of the work I was seeing but often it was out of my budget. There did not seem to be much to cater for the £20 - £100 end of the market either at shows, on websites or in gallery shops. Most the bits I could find where mass-produced and lacked the enjoyable values of original or hand made art, or even worse were ripped of images created without the artists consent. I decided to put together a package that combined traditional collectible art that was hand produced with high quality limited edition T-shirts, badges and stickers. We had no clients, so as a design agency it was great to be able to do pretty much what we wanted and also to have such great imagery to work with. The price, presentation and quality were key factors and obviously the consent of some brilliant artists.

Who are the artists that are involved in Art for Kunst?
Aida, Dora, Dscreet, Faith 47, Juice 126, Mac 1, Plimsoul and Zoot. They are all excellent artists, lovely people and great to work with. We also had help from Laura McNamara, who manages some of the artists, and A Badge of Friendship.

The artists all have really different backgrounds and styles; was this an intentional decision on your behalf to demonstrate the huge variety of street art that exists?
Yes, we did choose designs that offered a wide range, both for the benefit of the product and to display the range of skill offered by street art. However, to be honest it was pretty easy as all the artists have such unique and iconic styles. Dscreet and his signature Owls are very bold, quite pop and despite his Melbourne routes has, to me, a very East London quality. Faith’s work is totally different, always very beautiful and often with intricate patterns or symbolic looking imagery. I remember seeing a business card done like a stencil by Faith that was so small and fiddly, she really is a master stencil cutter. Juice could be called a spray can alchemist, I am not sure some people even realise some of his metallic board or mirror paintings are even done with spray paint. I think the same could be said for Mac 1 who paints photo-realistic work from a Belton spray can. I have one of his originals on my wall people still argue with me when I tell them how it was produced and proclaim it would be impossible to do it from a can and that I am wrong. All the artists brought something different and fresh to the range, we knew that we would have a great product when the designs started coming in.

How does Art for Kunst aim to be different from the other art stalls and shops out there?
I think we have a unique product already in the gift set. I set out to create something I could not find, but wanted and I know there are lots of other people like me out there just from speaking to people and looking at the numbers that turn up to shows and exhibition and walk out empty handed. As a gift for yourself or someone else the pack offers something that is collectible and can have sentimental value and also something more everyday yet still collectible, exclusive and useful. Other things that set us apart are the level of artist we are working with, the fact the product is hand produced and the low number editions produced. This is not your everyday gallery gift shop item. Obviously we want to keep pushing this and making each new set even better, I would also like to work with fashion and product designers to create more unique things to go into future packs and collections. Also, we do not think of Art for Kunst as a shop or stall. Although we will do the stalls and pop up markets still we would also like to work with other independent retailers to stock the packs. That will allow us to also focus on exhibitions, events, collaborations, books and the site. We see Art for Kunst as a brand that will represent high quality, exciting, affordable and original street art based products and promoting good artists.

Friday, 4 December 2009

WIN ART FROM ART FOR KUNST

art for kunst is an exciting new project, offering highly collectible and functional art pieces from established UK street and graffiti artists and the freshest new talent - Aida, Dora, Mac1, Juice 126, Dscreet, Faith47, Plimsoul and Zoot - all at affordable prices!



They will be bringing you a range of fabulous art throughout the year from both our website and at various pop- up market stalls across London. Having launched on 26th of November at The Old Truman Brewery’s ‘All I Want for Christmas’ market.

They will be selling 10 designs in special edition, limited run (50 per design) gift packs comprising an artist T-shirt (S, M, L or XL) and an A6 framed print. Each gift pack retails at £60.

The stall will be open from Thursday to Sunday for four weeks in the run up to Christmas:
· Thurs 5pm - 9pm
· Fri 12pm - 6pm
· Sat 10am - 6pm
· Sun 10am - 6pm (Final day de-rig 6pm - 7pm)

For more information - www.artforkunst.com

Aesthetica has teamed up with Art for Kunst to offer you an early Christmas Treat!

To win a Gift Pack (worth £60) – answer the following question: “What is the name of the artist whose work features on the current cover of Aesthetica Magazine?” Answers will be accepted for 24 hours. Please email Alexis at office@aestheticamagazine.com with “Gift Pack” in the subject line and your answer.

Image (c)Aida

Tuesday, 1 December 2009

Club Brenda at Urbis

This evening, to celebrate the 10 year anniversary of the award-winning Manchester club night, Club Brenda, Urbis is hosting a book launch of limited edition book, Strange Trees. Strange Trees is a unique concept and has been produced by Jayne Compton, the founder of Club Brenda, in collaboration with Northern Art Prize finalist, Rachel Goodyear, among other artists. The book takes the reader through the history of Club Brenda, using a series of classic narratives to form a dark urban fairytale, alongside a series of commissioned photography and artwork.



The launch will take place at Urbis, Manchester’s exhibition centre for contemporary culture in Cathedral Gardens, on Tuesday 1st December 2009 from 7:00pm – 10:00pm. The free event will include live bands from Jayne’s Switchflicker Records label, as well as a selection of DJs. There will also be the opportunity to purchase exclusive, limited edition artworks by Strange Trees contributing artists plus a free cocktail for the first guests through the doors so get yourselves to Manchester!















I caught up with Jayne Compton to chat about Club Brenda, Switchflicker Records and Strange Trees:

What inspired you to start Club Brenda?
Club Brenda began back in the 20th century – 1999 to be precise, after a drunken conversation between myself and the performance poet, Chloe Poems. We were on the night train back from Cream in Liverpool. We wanted to start a club that combined bands, poetry, performance art and a deliberately eclectic music policy. A place where Divine David and Chloe Poems could perform alongside lo fi bands and other performers.

How do you think Club Brenda has evolved over the past decade?
Its reputation has grown, it has launched some big Manchester bands like The Ting Tings yet it still feels underground. It’s minimally promoted and succeeds due to word-of-mouth from its misfit crowd. It is a genuinely uncompromising underground art-punk happening in the mould of Exploding Plastic Inevitable, Rabid at the Squat or Don Letts at The Roxy. The punters are as important as the acts. So is the feeling that everyone knows each other.

What is the concept behind Strange Trees and how did it come about?
Strange Trees is the visualization of Brenda – we had lots of artists and bands involved in Brenda who lurked in the shadows of the city, a book would be an additional format to showcase their work.

How did you decide what elements of Club Brenda’s history to include in Strange Trees?
We split the book into two parts, it opens with a series of classic narratives to form a dark urban fairytale, Instead of Jack and the Giant, we have Dirty Honky, turning vaudeville tricks for magic beans. Savage Wolf prowls through the ever-changing forest but isn’t quite the predator we expect, and the same goes for Holly Gore, who some like to call the witch… in the strange forest of Club Brenda, no one remains what they were…The second part is a series of commissioned photography, posters and artwork.

How did Club Brenda lead to the creation of Switchflicker Records?
When we started at the Star & Garter, People would just grab the mike and recite poetry. Anything could happen. Performers like Chloe Poems, Tracy Elizabeth, Fiona Bowker and Veba all contributed. This inspired myself and electronic artist, Mildmanjan to start Switchflicker records, we wanted to capture the best of these moments on limited seven inches. The first was Mildmanjan featuring Mark E Smith with Tracey Elizabeth and Veba on the flip.

Manchester has a great history of music and club nights; how much influence has the city and its history had on you and your projects?
Brenda was inspired by Hulme’s after-hours shebeen ‘party’ scene. When all the various clubs closed, the after party would continue in Hulme until the early hours of the morning. Brenda came from this same spirit - just people coming together to party in spite of their musical or cultural differences. The vibe was ‘lay down your weapons; have a good time’.

Club Brenda blends music, art, poetry and performance. How do you feel that these inform one another and how has this diversity added to the atmosphere of the club night?
It all adds to the atmosphere because no one is ever sure what to expect.

What do you hope for Club Brenda in the future?
To find more new spaces in Manchester to host it, to work with performers from further a field as well as local artists and to take Brenda’s club format to the theatre.

Blog Archive