2008 Aesthetica finalist, Sonja Benskin Mesher, enjoys further acclaim as the only artist from Wales to be selected for the International Drawing Comp

Exciting news from the Aesthetica Creative Works Competition continues to stretch far and wide, with one of our finalists, exhibiting in Poland this year. The International Drawing Competition reviews drawing of recent years, from the broadest perspective.

Curator, Prof. Pawel Frąckiewicz recognises the honest, organic qualities of drawing as an art form: “Drawing is a discipline that still represents the most direct and elementary language of art, as some people claim, drawing is its basic alphabet.
In the case of drawing, the distance between an artist and material trace left by him is usually very small. There is no barrier created by tools. In our understanding, drawing is interpreted as an attempt to touch experience in the course of its happening, when the experience and its record become one. Then the drawing could be identical to the gesture, as an elementary and instinctive reaction of man towards the world and its stimuli.” Works will be showcased at the Old City Hall – Municipal Museum of Wrocław from November 20th 2009 to January 10th 2010 so we’d like to extend our congratulations to Sonja.

Sonja came to Aesthetica’s attention with the striking artwork, Winter Fever, in the 2008 Aesthetica Creative Works Competition. Judge, Cherie Federico says: “Sonja’s work immediately struck me through her bold use of colour. The Winter Fever piece envelops you, absorbing the viewer. It’s really perfect for a gallery space but the fantastic thing about the annual is being able to bring these beautiful works to a wider audience.”

Sonja’s drawing work showcases her chameleon like qualities. The colours still grab you, but in a more discrete way. My favourite piece is Watching, Waiting, it has an almost mournful quality, evocative the short grey days at the British seaside (I love English (and Welsh!) seaside towns in the winter, there’s such a faded grandeur, almost dilapidated beauty about them), with one glowing red sphere, hinting at an almost Famous Five sense of fun. On the one hand it’s an idealised nostalgia (something that Grayson Perry dissects in detail in this month’s Aesthetica), but with a glimmer of tongue in cheek playfulness.

Ultimately Sonja displays exceptional skill across mediums, and this is something that we’re looking for with this year’s competition. There’s still time to enter your work into any (or all!) of the three categories: Artwork, Poetry and Fiction. Please click here for full details.

[Image credits: Estuary, Winter Fever, Watching, Waiting. Sonja Benskin Mesher]

Launch - Artist and Curatorial Collaborative

I am inspired by the resilience that has been a by-product of this recession. New ideas, concepts and serendipity are only some of the products of the economic downturn. I know it’s been hard, and basically has shaken everyone up, but for me, it’s broadened my horizons and made me take a good look around. I’m not the only one.

I think this idea is brilliant; and I’ve heard of a lot of these spaces popping up across the country. They question the notion of the transient gallery space, but also look at art in terms of engaging with communities. I realise this cannot always be the case, but I am inspired, I would love to take an empty shop, and convert it into the Aesthetica gallery. Any takers?

Launch Collaborative, an artist and curatorial collaborative present three new projects working with artists who share an interest in exhibiting their work in non-traditional exhibition spaces across Oxford. Working in association with Modern Art Oxford the aim is to give valuable exposure to early career artists, whilst presenting innovative contemporary art in an accessible, approachable environment. Located in The busy thoroughfare of the Westgate Centre, Felix's Machines: Armadillo is a solo exhibition by celebrated young artist, Felix Thorn.

Armadillo is an extraordinary, mechanical instrument put together by the artist and musician Felix Thorn. The latest in a series of works which exist to facilitate music by translating rhythmic audio structures into a three dimensional, visual spectacle; Armadillo functions as both musical instrument and kinetic sculpture.

Felix’s Machines are music making sculptures that invite audiences to share the experience of their creator. These Machines do not intend to match human potential. Instead they exist to test the advantages of mechanical instruments alone.

"Although my medium focuses on the development of acoustic sounds, I am continually inspired by electronic music - the countless abstractions act as blueprints for the construction of its acoustic counterparts. I aim to build a space where artificial and dream-like environments can become a reality," says Felix Thorn


Launch Collaborative is creating a contemporary art conversation across the city, and invited Oxford artist Tom Milnes to present a work that links Felix Thorn’s exhibition at Westgate Centre with James Winnett’s George Street exhibition and Sarah Kenchington’s performance for Modern Art Oxford’s Yard Party on the evening of Thursday 30th July. Milnes’ 21st Century One Man Band is a peculiar, time-travelling, intriguing-technotastic version of the traditional one-man band, embodying a mystique that attracted the attention of unassuming passers-bys. Like the Pied Piper of Hamlin, Milnes led visitors between the various venues and attracted the intrigued along the way. Making the most of mobile technology Milnes takes electronica out of the studio and onto the streets creating music on the move using audio gadgets such as battery-powered synths, amps, laptops and iPods. Milnes’ performance on the 30th has been documented and is now available to view in Launch Collaborative’s exhibition space in the Westgate centre.

Modern Art Oxford Director, Michael Stanley commented:
“At a time when empty shop fronts are becoming an all too familiar sight on our High Street, Launch Collaborative’s bold and innovative projects are providing a much welcome alternative. We are really excited to be working in association with them for the first Summer Yard Party. We hope that this will be the beginning of many similar projects that demonstrate the vitality of the visual arts in Oxford and the valuable contribution we collectively make to the vibrant cultural life of the City.”

Exploring these curious, lo-fi, experimental fine art installations the public are invited take an extra couple of minutes out of their usual shopping trip to step inside the wonderful, stimulating scenarios carefully created by budding artists.

Felix Thorn: Felix's Machines: Armadillo
31 July - 8 August, 11am-5pm
Westgate Centre, Oxford. (Formerly Original Shoe Company)

Tom Milnes: 21st Century One Man Band
31 July - 8 August, 11am-5pm
Westgate Centre, Oxford. (Formerly Original Shoe Company)

James Winnett: Garden Images
31 July - 8 August, 11am-5pm
35 George Street, Oxford


FREE CHILDREN’S ART WORKSHOPS
Sunday 2nd August 2pm – 4pm, Saturday 8th August 2pm – 4pm
Free, drop-in workshops for children aged 6 – 12 years old
Westgate Centre, Oxford. (Formerly Original Shoe Company)

www.launchcollaborative.co.uk

Independent State a New Commission by Foreground

Leading British artists Edwina Ashton, Bob and Roberta Smith and Matt Stokes are preparing to begin work on a major new art project, Independent State, commissioned by Frome-based art organisation Foreground.

Independent State explores how we define social distinctiveness and achieve self-determination as individuals and communities. The new works will take a number of different forms, from eccentric historical celebrations to major collaborative performance that will culminate as floats, performances and demonstrations in the Carnival on 26 September 2009.

Carnival is one of the most distinctive features of Somerset’s cultural identity and generates huge popular audiences to witness its grass roots creativity that range from the spectacular to the eccentrically amateur. As the first carnival in the Somerset Carnival season, Frome Carnival is one of the smallest yet generates an audience of over 20,000 people in a single night.

Edwina Ashton’s videos, performances and drawings create oblique and absurd concoctions of character and narrative. They explore the allure and peculiarity of eccentricity and idiosyncrasy, often through the use of insects and creatures given human attributes to ridicule the perversities of British politeness. Ashton will create one of her most ambitious works to date for Independent State. Collaborating with local naturalists and craft and drama enthusiasts, Ashton will manufacture a small army of bizarre insect costumes for performers, creating an alternative society of insects as parallel residents of Frome who will enter their own float into Carnival.

Bob & Roberta Smith fuse humour and serious politics into an egalitarian art that uses the skills of the sign writer, pop group and workshop leader to cajole his audience into a celebratory but often acerbic campaign for more art and greater democracy in our society. For Independent State, Smith will stage an anarchic celebration of the long forgotten names of fields around Frome. Similar to a protest rally, local people will march with placards, costumes, and whistles to a soundtrack of field names sung by a community choir of local people, ranging from school children to the retired.


Bob & Roberta is everywhere at the moment including the Grey Gallery Edinburgh for This Artist is Deeply Dangerous as part of the Edinburgh Art Festival. You can read all about his new show in the current issue of Aesthetica.

Matt Stokes is a really interesting artist. He creates ‘performance based’ investigations into alternative and informal movements that bind people together. Music subcultures have been central to the development of his recent projects, which have focused on their ability to shape lifestyle, beliefs, and create collectivity. For Independent State, Stokes will work with Frome’s thriving hardcore/metal music scene and Somerset blacksmiths and metalworkers. Drawing on Frome’s industrial heritage (in particular that of Singers, a former foundry in the town), Stokes plans to create a semi-permanent monument to the hardcore/punk/metal community of the town and area, which will be paraded through the Carnival procession, flanked and heralded by bands, musicians and fans of the genre, harking back to statues leaving Singers in the late nineteenth and early twentieth centuries.

I can't help but think about how lucky the residents of Frome are to have such world class artists engaging with the community.

I think it's important for these types of activities to occur. I have been impressed by Orange's Rock Core. I think that in our society, we're not encouraged enough to interact with each other, the concept of benevolence seems to have been thrown out the window. It's refreshing to see Foreground redressing this.


www.foregroundprojects.org.uk